“They always say time changes things,
but you actually have to change them yourself.”

Andy Warhol

2026 started with a commitment to remove more levels of bureaucracy, the inhibitor to the imagination, use technology more efficiently, or not at all, sometimes, waste less time and take action more directly, and with speed.

Slow decisions seem to be part of the dampened and depressed spirit that infiltrates everything in our lives, as we struggle to keep hopeful as wars expand, famines spread, the treatment and disrespect of women and children increases and the Earth dies.

Hope stays alive through others, their kindness, generosity, creativity and the work we can do collaboratively to change and improve things for our local communities and for others who live elsewhere.

“Hope is a responsibility. You cultivate it in order to share it with others. It cannot be a private possession. It only blooms when given away. Hope is the prelude to action. So, every morning, arise and hope, and go from there.” Saul Austerlitz.

We started this year with multiple ideas with the support of vital changes that are being made in Europe and by the current government. Two in particular that will make a real difference. Erasmus + is back and Arts Council England has been ordered to change drastically, a long time coming. There is hope that finally our cultural and artistic lives will improve, and in particular for those individual freelance artists in the UK who make up over 75% of those that create the art, made by humans, that we all consume. *

We are looking forward to sharing more information about our work through a new newsletter.

Robert Rice and Mladen Vasary in Differences in Demolition composed by Nigel Osborne, libretto by Goran Simic and directed by Lenka Udovicki. Berty, Vaska and Goran both sadly lost to us in the last 12 months. Joined by the inimitable glorious Joe Corbett, Irish baritone and part of the OC ensemble throughout the 90’s.

The Edible Garden Projects

The security and longevity of this project could not have happened without the generosity of many funders, but the greatest and most imaginative of all has been The Ernest Hecht

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The Giufa Project

Laura Fatini, Director, Writer, Teacher, Philosopher working with Opera Circus and the Creation Works, Par, Cornwall https://thecreationworks.com/about/f founded by long term friends and colleagues Alister O’Loughlin and Miranda Henderson at

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Landscape of Silence

In 2023 and 2024 we created and performed three work-in-progress performances of a piece called ‘Stumbling Stones’ at the Unity Theatre and the Music Room of the RLPO, Liverpool. Extracts

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Erasmus + Dorset Advisory Hub

At the beginning of the year we approached  friend and long term colleague Professor Stephanie Schwandners-Sievers, the Associate Dean of Global and Strategic Partnerships at Bournemouth University https://staffprofiles.bournemouth.ac.uk/display/sssievers . We

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Our News

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Stumbling Stones - A New Music Theatre Production

Stumbling Stones
A New Music Theatre Production

Stumbling Stones, (work in progress title) is a new music theatre production with Jewish and Arabic stories of families and migration. Tales of cheese making, a travelling circus, family song and drumming, loss and belonging, historical and cultural identity and the movement of peoples. Collaborating with the brilliant musicians of Klezmer-ish and director James Bonas, we worked on the R and D at the Unity Theatre in Liverpool in April 2023 followed by two concerts at the Royal Philharmonic Orchestra’s Music Room in January 2024. Further development is planned for 2025 and touring in the Summer of 2026.

Art, Health, and Wellbeing

Our year featured a growing focus on trauma-informed care training, working with artists, academics and producers from the UK, Ukraine and Bosnia, with a pivotal network meeting in Warsaw. From workshops in Brussels to the Why Remember conference in Sarajevo, we engaged in critical conversations about the role of art in mental health. In Bielsko-Biala, Poland, we celebrated culture’s impact on wellbeing — an especially beautiful event marked by its sensitive and generous curation and hospitality.

Stumbling Stones - A New Music Theatre Production

Stumbling Stones
A New Music Theatre Production

Stumbling Stones, (work in progress title) is a new music theatre production with Jewish and Arabic stories of families and migration. Tales of cheese making, a travelling circus, family song and drumming, loss and belonging, historical and cultural identity and the movement of peoples. Collaborating with the brilliant musicians of Klezmer-ish and director James Bonas, we worked on the R and D at the Unity Theatre in Liverpool in April 2023 followed by two concerts at the Royal Philharmonic Orchestra’s Music Room in January 2024. Further development is planned for 2025 and touring in the Summer of 2026.

Art, Health, and Wellbeing

Our year featured a growing focus on trauma-informed care training, working with artists, academics and producers from the UK, Ukraine and Bosnia, with a pivotal network meeting in Warsaw. From workshops in Brussels to the Why Remember conference in Sarajevo, we engaged in critical conversations about the role of art in mental health. In Bielsko-Biala, Poland, we celebrated culture’s impact on wellbeing — an especially beautiful event marked by its sensitive and generous curation and hospitality.

Stumbling Stones - A New Music Theatre Production

Stumbling Stones
A New Music Theatre Production

Stumbling Stones, (work in progress title) is a new music theatre production with Jewish and Arabic stories of families and migration. Tales of cheese making, a travelling circus, family song and drumming, loss and belonging, historical and cultural identity and the movement of peoples. Collaborating with the brilliant musicians of Klezmer-ish and director James Bonas, we worked on the R and D at the Unity Theatre in Liverpool in April 2023 followed by two concerts at the Royal Philharmonic Orchestra’s Music Room in January 2024. Further development is planned for 2025 and touring in the Summer of 2026.

Art, Health, and Wellbeing

Our year featured a growing focus on trauma-informed care training, working with artists, academics and producers from the UK, Ukraine and Bosnia, with a pivotal network meeting in Warsaw. From workshops in Brussels to the Why Remember conference in Sarajevo, we engaged in critical conversations about the role of art in mental health. In Bielsko-Biala, Poland, we celebrated culture’s impact on wellbeing — an especially beautiful event marked by its sensitive and generous curation and hospitality.

Local and Regional Projects

In Bridport, we supported the Town of Culture pilot, Dorset’s first, focusing on young people’s creative projects through ToCiYa, a group of young creative activists wanting to develop networks and opportunities. The Edible Garden Project in two of Bridport’s primary schools continued to expand, incorporating art and music workshops and culminating in the Children’s Food and Art Fair in June. The project celebrated its tenth year in working with children on growing cooking and eating local food with our long-standing collaborators Sustainable Bridport and HOME in Bridport.
We ran a series of music and conversation workshops with some of the men from the Bibi Stockholm barge at Weymouth’s Dry Dock, which thankfully has now closed. We recorded a song together called Shamle, which contains musical influences and voices from Iran, Kenya, Kurdistan, Rwanda, Turkey, India and Dorset.
In Dorchester, we collaborated with the Trauma Informed Community of Action and Dorset Youth Association to develop artwork created by young care leavers, both from Dorset and Sudan. This was then exhibited at the Dorset Museum and Art Gallery during the Care Leavers Week.
In August, the work in Ukraine was presented by Professor Nigel Osborne, Dr. Henry Redwood and Dr. Angela Kennedy, at the Healing Arts Scotland symposium in Edinburgh and Glasgow. This was an initiative of the Lead on Arts and Health of the World Health Organisation, Christopher Bayley, and Scottish Ballet.
On September 15th, the International Day of Democracy, there were two days of activities and discussions on democracy, freedom, and human rights led by PhD student Freya Proudman. This event built on the foundation of TCFT’s international youth programmes, to champion democracy, human rights, freedom, and activism, developing this work which began in 2008 in Srebrenica, Bosnia. Plans are being developed for 2025 and will be shared shortly.

At the end of the Democracy Day workshop on September 15th 2024 Darren Abrahams and Tim Fawkes improvised music to bring peace to Bridport’s lovely British Legion Hall and all the work that had gone on in that space that day.

At the end of the Democracy Day workshop on September 15th 2024 Darren Abrahams and Tim Fawkes improvised music to bring peace to Bridport’s lovely British Legion Hall and all the work that had gone on in that space that day. Click below to listen.

The International Day of Democracy 2024 in Bridport
The International Day of Democracy 2024 in Bridport
The Children’s Food and Art Fair, St Mary’s Primary School Bridport
The Children’s Food and Art Fair, St Mary’s Primary School Bridport
Paintings by some of the children at St Mary's Primary School Bridport about what happens abov and below the soil
Paintings by some of the children at St Mary's Primary School Bridport
Zangi, musician and music producer in conversation
Zangi, musician and music producer in conversation
Dr Angela Kennedy working with young Care Leavers on their art work.
Dr Angela Kennedy working with young Care Leavers on their art work.
Freya Proudman talking about Freedoms with Lisa Osborn Lead Youth Worker of The Drop in Centre on Portland.
Freya Proudman talking about Freedoms with Lisa Osborn
Darren and Tim singing
Darren and Tim singing

Stories of Resilience: Smile of a Child

Amid immense challenges, drama teachers in a camp in Northern Gaza are developing theatre and drama therapy for hundreds of children. Hassan, one of teachers shared this on December 22nd:

“The year 2024 has been the hardest year ever. We have lived through extremely difficult days since the beginning of the year. I can say it was a period of displacement to Rafah from my city, Khan Younis, from the start of the year until May. Then, we returned to Khan Younis, which was completely destroyed, with no means of life whatsoever.

Amid this, I started thinking of creating a new beginning—thinking in a crazy way—and worked on establishing a new drama team, naming it Smile of a Child. Despite all these challenges, amid this chaos, destruction, and the most horrifying forms of death, we prepared to work with children. We prepared to face the challenge.

In the midst of all this, I feel a sense of psychological victory. I feel proud, along with the team, of this achievement. We are an unarmed people who love life, but reality is completely different.”

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Looking Forward

As we plan for the future, the commitment to creativity, community, and advocacy remains unwavering. We thank our Board, the Artists who have shared their wisdom, partners, collaborators, Accountants, Auditors, funders and everyone else who has helped to guide and support the work we do. They make it possible for us to continue.
A huge thanks is due to Robert Golden for his ever-generous gift of his superb photography and film making. We would be a very different company without his eye telling the other half of our story.
We would especially like to thank the Ernest Hecht Charitable Trust, which closes this year, for the over 10 years of support of the Edible Garden Project and for its future sustainability. They have enabled us to achieve so much with this long-term project and thanks to their generosity can continue for many years to come.

Please keep in touch as we update our website with more stories, projects and performances.

Join us on the Journey

    Join us on the Journey

      Art, Youth and a Shared Peace – Ukraine/UK Youth

      Hosting 10 young people travelling from Ukraine, 10 young people from Ukraine living in Dorset and 10 young people from Dorset in a week long programme of arts and cultural activities – encouraging cross-cultural friendships, creative expression, and solidarity with the use of the creative arts for collective healing. The

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      URGENT – GAZA – Drama Therapy Support for Children

      “At the Child Smile camp, we travel with hope from one place to another, and carry in our hearts one message: every child deserves to smile. Between our mobile drama tents, we gather with children to live moments of happiness and warmth, to light up their world with fairy tales

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      *Over half of UK musicians earn less that £14,000 a year from making music and visual artists earn on average £12,500. Average earnings for actors per annum is £22,500 and less than the minimum wage.) https://www.artsprofessional.co.uk/news/arts-pay-survey-2025-culture-workers-report-burnout-crisis#:~:text=Nearly%2080%25%20of%20culture%20workers,latest%20Arts%20Pay%20Survey%20reveal.

      What is vital for musicians, orchestras, chamber ensembles and performing arts touring companies in general is that European touring becomes accessible again. Some musicians  we know lost over 90% of their EU contractual work due to Brexit. https://www.nme.com/news/music/brexit-touring-2026-update-uk-europe-progress-action-visas-costs-3937694 

      And then there is the theft of artist’s copyright work by technology companies developing AI.
      https://ivorsacademy.com/news/government-not-moving-forward-with-ai-text-and-data-mining-copyright-exception-but-more-protections-needed/