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  • Osman Bey and the Snails PRESS RELEASE

DAVID GLASS WORKSHOP BRIDPORT 21 - 22 March 2015

18/1/2015

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David Glass Weekend Workshop DORSET

http://davidglasstheatre.weebly.com

 

Saturday and Sunday, 21 and 22 March 2015
10 – 6
Lunch 1 – 2.30

Venue: The Allsop Gallery,
Bridport Arts Centre, South Street, Bridport, Dorset.
http://www.bridport-arts.com

Maximum number: 20
Cost: £90

Workshop – Creative Practice

Developed over a number of years working in creative development, Creative practice looks in detail at the specific stages of •
*  Creative process.
• Preparation •Origination• Organisation • Manifestation • Reflection
 
Each of these stages have exercises and games that help participants improve their ability to develop truly authentic work. Workshops both disclose the theory and practice of creativity but also help each participant go deeper and wider into their personal creative journeys. 

David’s approach to creativity, whether you are a storyteller, a painter, actor or chef, we become creative through relationships - relationships with each other, the world around us and ourselves. The process that will be explored will give the participants practical skills and tools to deepen their own practice in a secure and enjoyable way. 

On David Glass:
“One of the world’s finest theatre teachers”
Mike Alfred’s founder of Shared Experience

“A fine teacher”
Stephen Daldry Film and Theatre Director

“A leading teacher”
Tom Morris director Warhorse

Please come in comfortable clothes, indoor exercise shoes or thick socks (the floor is wooden but may have the odd splinter) a yoga mat and water bottle. The café is open on Saturdays and provides simple lunches or you can bring your own.

Confirmation by 1 March with 50% payment in advance. Final 50% 7 days prior to the workshop. 

Brief biography:-
David Glass studied with Jaques Lecoq, Peter Brook, Jean Louis Barreau, Etienne Decroux and Alvin Ailey amongst others. He began  his career performing on the streets of Paris. He went on to become an international soloist as a mime artist and physical theatre performer. In the 90s he established the David Glass Ensemble to explore ensemble and physical theatre projects, the productions included Gormenghast, Popeye, Les Enfants du Paradis amongst others. David directed Shameless and King Stag for Opera Circus, Blue Remember Hills for Yellow Earth and many other works for other companies.

In the early 2000s David established The Lost Child Project working with street children around the world. David teaches at east fifteen drama school LAMDA, University of Arts, Bournemouth, amongst other drama academies and creates workshop programmes by request in creative facilitating, devising and other forms of theatre practice.   David is now a visiting lecturer at the UoA in Bournemouth.

For further information contact Tina Ellen Lee  admin@operacircus.co.uk

David Smith Artist
We would like to thank the artist David Smith for allowing us to use the gallery space for
our weekend workshop during the time in which his exhibition Letter #365 – The
Installation is open to the public. The gallery will be open to the public between 1 and 2.30
on Saturday 21st March during a break in the workshop. More information on the exhibition
can eb found here: www.bridport-arts.com/events/category/exhibitions/
Thank you to Bridport Arts Centre for supporting this project.
 

Thank you to Bridport Arts Centre for supporting this project.

 

 

 

 

 

 

 

 

 

        

 

 


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This new web site

3/1/2015

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We are working as hard as we can to get as much information up on this web site as quickly as possible.  In the meantime if you have any questions or queries email us. 

If you need information about The Complete Freedom of Truth click on the name for the web site for this project. 

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Social Enterprise Training with the University of Manchester

3/1/2015

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PictureThe Youth Centre Srebrenica with the project Like a Film in My Mind 2013

In Place of War’s Cultural Entrepreneur Training Programme *
January 26 – 30 2015
Srebrenica, Bosnia
Supported by the University of Manchester, UK.
(* Pilot)
This five day training programme will train a number of people in the Srebrenica region to deliver an 8-week short course exploring a diverse range of practices and models through a series of innovative case studies from around the world. The trainees will engage with and analyse real life creative models and learn skills to develop a creative project.

Participants can find out how to develop and deliver a live event, learn why the cultural industries are important, discover how networks and partnerships can enhance a creative project, explore alternative models for structuring your creative business, understand how to fund a creative project and explore how others in Africa, Asia, Europe and Latin America have developed their creative projects.  You will also develop your own creative project and present it to industry experts.

The course itself is divided into 8 units and in the 5 days training using the online programme you will learn how to teach:-
1)    An Introduction to the cultural industries
2)    An Introduction to cultural business management
3)    Alternative models in the cultural industries
4)    Festivals, events and conferences
5)    Creative spaces
6)    Networks and collaborative working
7)    Social media and citizen journalism
8)    The Creative Challenge

The course is run in conjunction with the University of Manchester, Agencia, the Youth Council and SARA, Srebrenica with Opera Circus.  There are 12 spaces maximum and the sessions will be run in the offices of SARA, from 10 – 5 every day from the 26th – 30th January. 

The course is free and lunch, coffee and tea will be provided.  This pilot project course will be in English.  There is a possibility of providing overnight stays for those from Milici and Vlasenica for 2 people. Transport for those from these towns and from Bratunac may apply for travel expenses.  All participants must complete the full 5 day training programme.

After this pilot process we will arrange for the material to be translated into Bosnian/Serbian in order that the trainers can then deliver the programme more widely.  We will work with all concerned to raise funding to extend the learning to businesses, municipalities, NGO’s, colleges and individuals interested in starting their own cultural and social enterprises, extending the learning to their own organisations or institutions or young artists and creative people wanting to develop their own projects.

The project itself is accredited by the University of Manchester and the people who have been trained during this pilot project week will receive a certificate confirming the training has been completed. There will be follow on support and consultation after completion of the programme.
http://www.businessgrowthhub.com 
Further details of the pilot project will be available early in January.
If you are interested in booking a place for this training please contact Nemanja Zekic at the Youth Centre 
nemanjazekic2@gmail.com or admin@operacircus.co.uk
 
Opera Circus
In Place of War
 

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This new web site and 2014

2/1/2015

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This web site will slowly develop over the next few months.  We finally had to abandon our old Wordpress site as a rather nasty Malware virus refused to budge and BT seemed incapable of dealing with it.  

2014 has been a year of new partners, new projects, ideas and energy.  A new humility at the amount of work that is being carried out world wide by artists who are using their creativity to help people in so many ways as well as practicing their own artistry.  At the Salzburg Global Seminar on "Conflict Transformation through Culture: Peace -Building and the Arts", 60 artists from Cambodia, Rwanda, China, Kenya, South Africa, Palestine and Israel amongst many other countries exchanged practice, ideas and information.  My question was just how many people are there in the world re-building societies through culture and the arts and when will we reach that moment when the power and influence of what we are all achieving together with our communities, will connect in one big moment of change. It can't be far away.

In April we led a short research programme funded by UNICEF on the uses of music in 8 elementary schools in the Srebrenica region (Bratunac, Zvornik, Milici, Potocari, Srebrenica, Skelani, Vlasenica).  This we hope will develop into a larger project and more information on this under current work.  Thanks to Tony Pesikan, John Moonen and Mladen Kojic for their expert skills in delivering the music and art workshops.  A full report can be found under the What we do Page 

In July Nigel Osborne led his Summer Music Camp for Children with Special Needs in Pula and Rovinj in Croatia and in Tuzla, Bosnia.  Nigel and volunteers fund and run this camp which caters for a minimum of 150 children and young people, working with partners Los Rosales from Mostar, the School for Rehabilitation in Pula, Croatia, The Mare Centar in Rovinj, Croatia, Ulysses Theatre, Zagreb and the Universities of Zagreb, Pula and Edinburgh, and us.  We managed to raise a further €31,000 from a variety of sources and with the help of Mrs. Doraja Eberle the founder of the Austrian NGO, Bauern helfen Bauern.  Our aim was to take as many children from the flooded areas in the region of Srebrenica for a holiday to this camp, including a group from Leptir, the Association of Handicapped Children in Potocari, nr. Srebrenica.  Over 70 children, carers and volunteers were able to participate in the Summer Camp, giving them not only a wonderful holiday by the sea but also offering musical activities and music therapy and sport, good food and rest.  Our partners from the Srebrenica region were EMMAUS, CESVI, SARA, the Youth Council and our excellent project manager in Srebrenica, Milena Nikolic.  A full report is available from Opera Circus on request, see the contacts page. 

In August we ran a youth culture and arts pilot project at Bryanston School in Dorset, UK.  These 8 days were in preparation for the development of a five year international programme of youth arts events built around equality, inclusion and Human Rights.  The project was called The Complete Freedom of Truth, which comes from an original quote by Vaclav Havel, "When a truth is not given complete freedom, freedom is not complete." Full details of the project can be found on the web site and the future plans will soon be on our page Current Work.  

In October international arts producer Gillian Newson, organised a meeting for us with the Director of the Ravenna International Music Festival and the Director of the Association of the Theatres of the region of Emiglia Romagna.  This meeting was to discuss a partnership to develop the chamber opera Naciketa.  As a result we have an "in principle" agreement to produce a semi staged concert tour of Naciketa in May-July 2016. Further information on this shortly.

In the same month I was invited to be part of a team of artists developing one strand of Siena's bid to become Capital City of Culture in 2019.  Siena's bid was shortlisted but didn't succeed. It was a wonderfully complex series of inspired ideas and journeys to rebuild Siena's society through culture and the arts.  Happily some of the excellent team that created the ideas are working on ways to use some of their plans through partnerships and other forms of EU funding.  The Commune di Siena is also a partner with the youth project The Complete Freedom of Truth and we very much look forward to working with this beautiful city and its generous people.

Late October, I was invited to Mumbai and Rajasthan to take part in a truly inspiring process by Leader's Quest.  
120 people from local and global NGO's, social entrepreneurs, artists, facilitators, corporations and businesses of all kinds came together in the deserts of Rajasthan to explore ideas and actions to change the current global inequality and to explore many new creative and fairer practices in the way we live and work.  I hope that the contacts I made, the new perspectives I came away with, the energy and the friendships will contribute to the work of Opera Circus and can be shared widely and with our partners.

In November I took part in an informal workshop on Cultural Spaces during and post Conflict with the External Services of the EU. There is a full report on this on this blog.  Discussions are taking place as to the follow up to this workshop possibly with the support of Salzburg Global Seminars.  This is the beginning of an EU wide discussion on the importance of culture and arts to all aspects of our lives. Finally the discussion is on the table.  

There were many trips to Srebrenica and Sarajevo, meetings, discussions and learning, as always.  A lot of time is spent on raising funding and reporting, particularly with the overly complex EU applications.  There has to be a better system that allows artists and those working in culture and the arts to contribute more easily to societies. So much time is wasted raising funds and reporting in finite detail to an economic system that isn't designed to facilitate and support the value of what artists contribute. 

It has been a huge pleasure working alongside the HOME in Bridport project and seeing the development of this broad programme of community work, based on culture and the arts and food.  Films have been made, in particular the beautiful Homes for Heroes, exceptional photographs and a subsequent exhibition of 17 local people's art work at the Bridport Arts Centre.  HOME has worked alongside Transition Town Bridport and St. Mary's Primary School, growing food, encouraging workshops, farm visits and community events.  HOME is working with Magna Housing Association and members of the Alexander and Princess Road communities in Skilling, slowly finding ways to improve the local environment for the residents of a particular part of the estate that needs some care and attention. This will include the development of a new garden space for growing food and flowers and pleasure, particularly for the children.  It will also link to the St. Mary's school in sharing the growing, cooking and eating process. We are aiming to design a "sensory path" from the school to the community with mosaics designed by Rebecca Garner, community and mosaic artist, working with the children on the designs and colours, sounds and textures.   In 2015 HOME in Bridport, led by Robert Golden is running a programme of work called Democracy in Bridport.

It has been such an inspiration working with all our partners in Bridport, Chennai, Srebrenica, Brighton, London, Manchester, Edinburgh, Kolkata and Tuzla; the young people who have contributed so much to the quality and power of the work; the artists and facilitators who give of their time, skills and experience so generously, to our endlessly patient Board, to all of our funders (who are all thanked in various parts of this web site,) ; in particular to Milena Nikolic, Nemanja Zekic and Nedeljko Simic from Srebrenica for their commitment and courage, to Claire Hodgson from Diverse City for her inspirational leadership for The Complete Freedom of Truth and for deeply influencing and teaching us all about diversity, to Robert Golden for his endlessly beautiful photographs and films which have enabled Opera Circus over the years to share its work with the world, to Nigel Osborne as always for his music and giving all of us hope, to Doraja Eberle for her generosity and heart, to Fabio Santos, for his fund raising skills and his vast experience of working with young people…the list is endless and if your name isn't on his list it is somewhere in this web site and embedded deep inside the work.   

May we continue to work together with kindness and belief that through culture and art we can improve not only our own lives but the lives of others….Nigel Osborne said to us that economics and politics have failed and what we have left to trust is culture.  Let us continue to develop it together.

"Thinking about culture as if democracy mattered"
The Parliament of Dreams, Francois Matarasso
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    Author

    Tina Ellen Lee Artistic Director of Opera Circus

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