​At the moment we are part of a very special company of people being hosted by Battle Abbey School in the grounds of the ruins of the glorious Battle Abbey in Battle, East Sussex. For those who aren’t aware, this is the site of the Battle of Hastings in 1066 where England lost to the French Norman army and our culture and language changed. 
 
Our project is called The Giufa Project, the roots of which are in The Complete Freedom of Truth programme and our work with the organisation Arrischianti in Sarteano, Italy in April 2017.  
 
Laura Fatini, writer and theatre director, had been exploring the character and stories of Giufa for over 4 years and the ideas came together whilst we were working as part of  one of the TCFT programmes funded by Erasmus, Arts Council England amongst others.  Music has been created by Sara Ross, composer from Lisbon, Portugal and a series of workshops, stories, performances have led to our ten days together.
 
Glyndebourne is a long established opera company set in the beautiful countryside around Lewes in Sussex, South England. Glyndebourne has a history of high quality participation and education work and two out of every three years the company commission a main stage opera for Glyndebourne Youth Opera and a Community Opera Commission as well as smaller scale works.

​Last year a new opera called Belongings was commissioned and produced by Glyndebourne, with music by the composer Lewis Murphy, a young artist in residence with Glyndebourne. The libretto was written by Laura Attridge.
​The opera explored the experiences of young people forced by war to flee their homes. At that time, in 2016, TCFT began looking at our concerns for young refugees and migrants and Lewis and Laura both joined the TCFT programme at Bournemouth University in Dorset and in Sarteano, Italy.
 
A partnership began with Glyndebourne,  Opera Circus, Arrischianti in Sarteano, Urban Playground Team, Project Art Works, Crisis Classroom, a charity built to provide education and learning for refugees as well as their hosts. and with a number of artists with great facilitation experience, those who had a great deal of TCFT experience and those who were new to the process. These include Lucy Bradley, Annis Joslin, Darren Abrahams, Omar Shahryar, Judith Coleman, Alister O’Loughlin, Laura Fatini, Cedoux Kadima, Tim Corrigan and Tom, Rosie Russell, Susan Bisatt and Robert Golden. The producing team is led by Chris Stones from Glyndebourne, Tina Ellen Lee from Opera Circus, Sally Lampitt from Battle Festival with support from Amanda Downes, Rory Newbery and many others. Thanks to Sosi, Dave, Amanda and James for the great food from  https://www.hohcharity.co.uk

​With the support of Battle Festival and the town, the school and Glyndebourne’s vision we are now in the school and town creating new artistic work, learning about each other’s cultures and lives and living in an environment of inclusion, equality and inspiration.
 
Other people keep joining us, youth leaders who have been with TCFT for many years and now help deliver these projects and their own, other artists and facilitators, our mentors and friends. 
 
On Saturday 25th, Urban Playground Team, led by Alister O’Loughlin, will be sharing some new work in progress as part of the Journey’s Dance Festival at 1pm and 2pm on Abbey Green in the middle of Battle. http://18hours.org.uk/journeys-2018/
 
On the 29th and 30th there are summer workshops for 9 – 13 year olds who will participate in the sharing of the work on the 30th.
https://battlefestival.co.uk/events/2018/the-giufa-project-summer-workshops-for-9-13-year-olds
 
On Thursday 30th August at around 5pm we will be sharing the work we have created over the 10 days we have been together in and around the town of Battle and in the Battle Abbey grounds themselves.  More information on this in the next few days.
 
On 20th October The Giufa Project will be shared again at Battle Abbey from 18.00 – 20.00.
 
A sharing of some of the work and experiences will also be held in Bridport, West Dorset on the 24th, 25th and 26th October, to be confirmed.
 
The Giufa/TCFT project will continue in 2019 so do keep an eye on any of our web sites and social media pages.
 
 All photographs and film on this project is by Robert Golden
 
 
 

The last two years can only be described as exquisite pain, that place you strive for when creating art that drowns you in a pit of despair and then makes you realise that you have understood something intangible, it might be small, but your life changes. 

We have worked towards a new way of delivering work, building different kinds of partnerships and raising funding in new ways.  We have sought opportunities in Europe as our government drives us away from the natural tendency of artists to ignore borders, both political and intellectual.  We hope that all this struggle will produce a sustainable company that has a much more horizontal way of working with a larger ensemble taking part and feeding into the way we adapt and change our processes. We started in 1991 and Opera Circus has had many phases of its life, changes made with so much inspiration from artists and others with whom we work and surviving National and Global challenges.

TCFT, an Opera Circus long term project, has taught everyone a huge amount and its reach has affected our performance work as well as our relationships. Thank you to everyone who has been part of the journey to date and to all those who have committed themselves to our future. (See more information below)

We are working on several major programmes including co-partnering with Teatro L'Albero in Matera and Senza Spine in Bologna through the Fondazione of Matera 2019, Italy's City of Culture next year. We are working together to create a new collaborative community opera, called The Silent City.  Get Close to Opera, an Erasmus + research project run by Matera Hub looking at informal education in opera with Belgium, Greece, Spain, Italy and the UK. The Giufa Project with Glyndebourne Education, Battle Festival, Arrischianti, Italy, Setubal Festival of Music, Portugal and Crisis Classroom, using the TCFT process to look at new ways of working with the arts and young people, in particular the exploration of inclusion and migration.

We are part of the working pilot process with Leeds and Bournemouth University called Changing the Story. More information on this below. 

The Artistic Director, Tina Ellen Lee, has been working with some of the advocates for the greater acknowledgement of Culture and the Arts in Europe, in particular Culture Action Europe, in Rome as part of Belonging and Becoming December 2017, in February 2018 at the Guildhall School of Music and Drama on The Artist as Citizen and in Brussels in April 2018 looking at Social Inclusion in the EU with Voices of Culture. In September 2017 the Discussion Document will be delivered and shared widely...it will be on this web page.

​Making progress through dialogue is so much slower than dictatorship but we have noticed that changes are being made from our first meeting with Salzburg Global Seminars in 2014, "Building Peace Through the Arts" to the workshop led by Alain Ruche with the European External Services in Brussels. 

There is news about Naciketa, the beautiful new opera with music by Nigel Osborne and poet/writer Ariel Dorfman. We are waiting for a final confirmation before we launch the public journey to performances in 2020.  More soon - some information on the Naciketa page on this web site.

There is a new web site on its way, but until we have the thinking and funding in place, we will be using this blog to share our progress this year.

Opera Circus has been in the privileged position of having the photographer and film maker Robert Golden record most of its work since 1991.  An archive of beautiful imagery and storytelling that has partly made us who we are today.  Robert has also been at the core of the artist/facilitators team, teaching film making, photography and the art of story telling through images.  He has helped to deepen the political thinking in TCFT and become a mentor to numbers of young artists. If you scroll down on this blog page you will find our Vimeo Gallery which contains most of the films made about the work of the company.   RobertGoldenPictures

​ TCFT, aka The Complete Freedom of Truth is a project originated by Opera Circus. The work grew out of Opera Circus' collaboration with the British composer Nigel Osborne which started in 2014, originally in Bosnia and Herzegovina, Croatia and Serbia but also in the town of Bridport, West Dorset where Opera Circus is based. It is one of many projects run by Opera Circus, but we have realised TCFT has grown to be so successful that many people think it is an organisation  in itself, maybe it will be one day. 

Thanks to the organisations who have contributed in the last couple of years to the TCFT 2015 - 2017 process, VBC, Romania, Teater Mimart, Serbia, Youth Council Srebrenica, Bosnia, Diverse City, Dorset, UK, Arts Development Company, Dorset, UK, the Comune di Sarteano, Italy, Setubal Music Festival Portugal, University of Bournemouth UK, Urban Playground Team, UK, SLYNCS, Blackburn UK, Besso and Company, Georgia and Education:IPOW, University of Manchester UK.  Partnerships are always a challenge and we learn as we progress but without everyone's support and input, TCFT would not be the process it is today.

The UK government may have chosen to leave the European Union but I don't think British Artists will be.  We are very lucky to have European partners who believe in movement and exchange of artistry and who don't recognise political and national borders.  Art thrives across borders and the richness of cultural exchange and the understanding it brings of how much we all have to share, creates the world we want to live and work in.

So far in 2018
February 12 - 16. We ran a week long TCFT in Bridport, West Dorset.  We try and do this every year either in the February and/or October half terms inviting young participants from across Dorset including Bournemouth and from some of our partner organisations, Young People Insight in Croydon, SLYNCS in Blackburn, Activate with Remix and Face Forward from The Arts Development Company.  With thanks to Bridport Arts Centre, Bridport Town Council , West Dorset District Council , Awards for All, Alice Ellen Cooper Dean Charitable Foundation and the people of Bridport who so generously helped to make this week such a success including Evie Vergano, organic local chef and caterer.

The artists who worked with us included Alex Gichohi, Louise Katerega, Louisa Adjoa Parker, Ricky Romain, Robert Golden, Rachael Veazey, Rosie Russell, ExileArts, River, Susan Bisatt, Shaniqua Benjamin and with thanks to Francesco Pipparelli and Rory Newbery.

We were happy to welcome Albert Heta Artist and Director of Stacion Cultural Centre in Pristina, Kosovo celebrating the start of Changing the Story, a Leeds and Bournemouth University led Arts and Humanities Research Council Project. Opera Circus hopes to be able to participate in this 4 year, 5 country project with the work in Kosovo. Thanks to Dr Stephanie Schwandner-Sievers, Principal Academic at Bournemouth University, Anthropology and Sociology and part of the Seldom Heard Voices Project at BU.

WHAT IS GET CLOSE TO OPERA ABOUT?
The GET CLOSE TO OPERA project will develop and promote inclusive and multicultural arts education and training programmes seeking to support best practice in migrant and refugee contexts. The training methodology will use Howard Gardner’s Multiple Intelligence Theory and focus on Opera as the delivery artform.

GET CLOSE TO OPERA brings together a partnership of organisations from across Europe - Materahub (Italy), Teatro L’Albero (Italy), Opera Circus (UK), Fundacio Privada Promocio d’Escoles (Spain), University of Patras (Greece), European Network of Migrant Women (Belgium) and RESEO (Belgium) and RESEO, the International Association for Higher Education in Opera and Dance.

GET CLOSE TO OPERA is inspired by opera as an artform that embraces multiple languages and engages its audiences emotionally through music. We believe that through opera we can unleash the potential to reach across barriers, creatively communicate, and explore what we have in common.

GET CLOSE TO OPERA recognises the wide range of activity that has already been created in this context, and seeks to engage with opera houses, opera companies, singers, musicians, dancers, actors, cultural mediators, facilitators and cultural practitioners working through the arts in migrant and refugee contexts, and educators interested in non-formal arts education. 

Over the next two years until 2019, we will develop and test with them a new methodology, exploring the opportunities that the Theory of Multiple Intelligence could contribute to informal education training and skills in Opera. After a preparatory research phase, we will design an innovative training programme for educators and trainers, which will take place in Matera (Italy) in 2019. We will then apply the methodology developed through a series of pilot actions involving migrants and refugees that will be carried out in Italy, Spain, Greece, Belgium and United Kingdom. MIT was named by Howard Gardner, more information here. multipleintelligencesoasis.org

We understand that the level of informal education in the arts is at a different stage of progress in different countries. Working with our partners across Europe we will bring together our learning and the opportunities for the advancement of formal education in the arts in each country.

We will share our experience and our tools on an online platform open with all those who wish to experiment and share the GET CLOSE TO OPERA research and resulting methodology throughout Europe.

Opera Circus will be approaching facilitators and cultural practitioners from their wide network to assist with the research and with our partners and organisations in this field, explore what is available to learn from, and share within, this sector.

Further information from the Get Close to Opera web site.  Please get in touch with Opera Circus on admin@operacircus.co.uk if you would like to participate in the general survey. The survey link will be sent out on the morning of the 8th January 2018.

https://www.getclosetoopera.eu
 

We are waiting on the results of a series of funding applications to transform the way Opera Circus works, new directions, new visions and new work. The web site will be redesigned and much of the content rewritten. Please bear with us.
We have little capacity to do this at present and are working towards building a virtual arts company that works with a larger ensemble of creative freelance people who will help to develop all the opportunities that we are being offered with sustainable and long term goals.
​
​The Complete Freedom of Truth, our long term international youth arts programme, has proven to be one of the most successful artistic processes we have created since we began in 1991, but has been a drain on our resources, human and financial. We need to re-imagine who we are and what we do and how we do it. .  

TCFT has opened up so many new areas of creative work and given new life to the artistic heart of the company.  

At present we have a campaign to raise £200,000 to help transform the company and to take on our new programme of work in 2018, 2019 and 2020.  If you have any ideas or connections do get in touch.  

We will be sending out a Crowdfunding campaign shortly to help raise £20,000 to support 20 young people from Dorset to participate in the TCFT youth programmes in 2018.  This includes exchanges with young people in Portugal, Serbia, Romania and/or Italy. They will have the opportunity to take part in the 10 day TCFT UK residency in August 2018, working with Glyndebourne and international partners from Sarteano and Setubal. We will be asking all of our networks to please help us circulate this at the right moment.  With thanks.

We have a new advisory group of people to support our Board of Trustees, bringing new skills and intellect to our future work. Alister O'Loughlin and Miranda Henderson of Urban Playground Team, Anna Ledgard, Philiy Page, Shaniqua Benjamin, Rory Newbery, Rachael Veazey, Darren Abrahams, Robert Golden, Alain Ruche (Brussels), Geraldine Sharpe Newton and with guidance from Matt Little of Rio in Bristol.

This has been an exceedingly tough but incredibly productive year.  Our thanks go to all those who have supported, helped, advised and been so patient to help us survive. We are on the cusp of change and look forward to the next five years of art, creativity, struggle and positive change.

• Nigel Osborne, MBE, Emeritus Professor of Music at Edinburgh University has been a mentor for Tina Ellen Lee, the Artistic Director of Opera Circus and for many thousands of other people around the World.  Nigel has been awarded the Inspiration Award by the British Composers Association and the Music Publisher's Association, not only for his beautiful music, he is primarily a composer of the highest distinction, but also for his human rights work in particular working with children with trauma in conflict and post conflict countries. We would all like to congratulate Nigel along with the many thousands of people who have been touched by his teaching, care, brilliance and music.  
• Opera Circus is working with Nigel on his next chamber opera, Naciketa, some years in development, but now working with the Southbank Centre, Bournemouth Symphony Orchestra, Bournemouth University and the Lighthouse, Poole, Dorset and looking to premier this beautiful new work in 2020.

Opera Circus is partnering with Bournemouth University on this 4 year Arts and Humanities Research Council Project called Changing the Story.  Please see the web site for this fascinating research project.  Our work will be part of the Kosovo process because of our history of engagement in the Balkan region in particular with Bosnia and Herzegovina and Serbia.  This is an exceptional opportunity to further the use of arts and cultural activities with young people in areas of post conflict. Thanks to Professor Stephanie Schwanders-Sievers for this opportunity. ​https://www.leeds.ac.uk/arts/info/125052/centre_for_world_cinemas_and_digital_cultures/3107/changing_the_story
​

Geoffrey Brown, Director of Euclid, an organisation which offers a wide variety of assistance and advice on EU funding, partners and much besides, is organising a seminar on November 8th. www.euclid.info

​In the last 10 years, the EU’s Erasmus+ programme (and its predecessors) have provided over £20m to UK partners in projects involving the arts, culture, heritage and the creative industries.  There are a number of Erasmus+ deadlines from now until March 2019 and on 8 November 2017 in Leeds, Euclid is organising a unique one-day event which will explain the opportunities from this programme.  There will be presentations from the official UK contact points, and from a number of successful projects, and delegates will have the opportunity to meet with all speakers to ask detailed questions and present their project ideas.  The cost is £60 (or £30 if you book before 20 October).

Brouhaha from Liverpool, Opera Circus South West UK, Ecorys, British Council, Leeds City Council and a variety of organisations will be talking about how to make the most of this large funding stream whilst we can.  

On October 26th and 27th we are in Brussels for the first meeting of this new Erasmus project led by Matera Hub and Teatro l'Albero, Matera, Italy.  

This is a two year project which looks at the possible ways that the variety of art forms within opera could be used to create tools that can help to share cultures with our new migrant communities, if they are interested.  The work is not directly with migrants but initially is a research programme that will explore with artists, facilitators, university research departments and others how we could deliver tools, processes and information that could be useful.
 
The other partners in this process include Opera Circus, RESEO, the European Network for Opera and Dance Education, the Network of Migrant Women, both based in Brussels, the University of Patras, Greece and ESART, an international centre of higher arts education in Barcelona.
 
It will be interesting to see how we can all combine our experiences of informal arts education and research.  We will create a web page on our new web site, coming shortly, which will feedback on this whole process. Thanks to Matera Hub for writing such a successful Erasmus application and for bringing together such an interesting group of partners. https://www.facebook.com/materahub

96% of artists who took part in the Referendum to leave or remain as part of the European Union, voted to stay. 
Europe is our culture, our history, our arts and our future.  It is a fact that the EU needs change. EU bureaucracy, corruption, values and an insistence that the main purpose of the 28 (still) countries working together is for economic purposes.
 
Romano Prodi who was the 10th President of the European Commission (1999-2004) was reported to have said that if he had the time again he would have based the values of the European Union on that of Culture and not Economics.
 
I imagine we would be in a very different place now if that had been the case.
 
In the recent paper produced by  Jean Claude-Junkers, the current President of the European Commission, he describes
5 alternatives for the future of the EU.  In the entire paper the word culture is not used once.
 
So we regress as a society and those of us who have advocated for years for the recognition that the arts and culture is
of central importance for the education, health, well being, peace, creativity and progress of our communities
​and society, seem to be back at square one, or maybe not.
 
Opera Circus is now working more than ever in Europe.  26 years on from the start of this small performing arts organisation, we now have partnerships in 8 European countries and are exploring further conversations with three new arts organisations in the Middle East, Egypt, Palestine and possibly Tunisia or Jordan.

​When we were a much more active touring company we performed globally from Peru to Thailand, Canada to Georgia and across wider Europe. As a result we grew as artists and people, were challenged, educated and inspired. 
 
Now through our youth process The Complete Freedom of Truth we aim to offer some of these experiences and hopefully inspiration and learning to a broad cross section of young people with our partnerships and beyond.
 
If you didn’t see the documentary about the development of the work from 2008 in Srebrenica, Bosnia and Herzegovina to today and into the future, click on the link here.
 
http://thecompletefreedomoftruth.com/watch/
 

TCFT, Opera Circus and the future:
 
Since the end of the last Erasmus + youth residency which was in Sarteano, Italy in 2017, a number of smaller initiatives by young people have been delivered in Srebrenica and Croydon London. There are plans for other small programmes in Serbia and Portugal as well as Italy.
 
We are running our, now annual, TCFT week in Bridport, Dorset, UK and looking forward to welcoming our partner youth organisations, SLYNCS from Blackburn, Young People Insight from Croydon, and we hope You-press from London.  This is from 12 – 17 February and do get in touch if you want to know more or be involved.  Thank you to Awards for All, West Dorset District Council, Bridport Arts Centre, Bridport Town Council and others for making this possible.
 

​Opera Circus in Italy
 
We are at the moment involved in two European programmes of work with partners in Matera, in the region of Bassilicata, Italy.
 
The first is an Erasmus + project called Get Close to Opera.  It involves partners in Spain, Greece, Italy, Belgium and us in the UK.  It is an exploration to see if it is possible to use the art forms in opera to explore ideas of cultural integration with refugees. We will be guided very closely by RESEO and the Network of Migrant Women in Brussels. This is led by the highly efficient cultural NGO Matera Hub in Italy.
 
The other Matera project is a beautiful new community opera, working with the young theatre company Teatro L’Albero in Matera and delivering a new work across two years. .
 
The fascinating orchestra Senza Spine from Bologna and L’Orange Platine from Angers in France will be part of the creative team.  We will know for certain whether we have the go ahead in December and if so will be part of Matera City of Culture 2019.
 

​Our relationship with the region of Valdichiana continues with our colleagues and friends in the small historic town of Sarteano in the region of Tuscany. This is led by Laura Fatini and her highly skilled young team through Arrischianti.
 
They hope to involve two other towns, Montechiello and Montelaterone.  We have had successful conversations with the Fondazione Monte dei Paschi di Siena to develop this partnership and the Fondazione’s involvement in more than just funding. Partnerships these days have to also be about sharing skills, networks and opportunities.
 
We are also in discussion with Glyndebourne about a TCFT residency in July 2018 at Lewes, near Brighton involving artists and young people from Sarteano as well as established partners Setubal Music Festival and their inclusive chamber orchestra.  This will be a slightly different TCFT experience as the process will involve local young people who live in and around Brighton and Lewes, young migrants, artists, partners and facilitators from the area.  We are meeting from 10 - 13 November and will be able to see a performance of Belongings, the new youth opera at Glyndebourne, music by Lewes Murphy and libretto by Laura Attridge. http://www.glyndebourne.com/tickets-and-whats-on/events/2017/belongings/
 
The two weeks residency in July 2018 will structured around the story of Giufá.  
 
“Giufà is a character who appears in traditional tales from cultures across Europe and the Middle East (from Turkey to Sicily, from Egypt to Portugal). His story is interpreted in many and various ways as people have travelled through history.  Giufà’s stories have contributed to the cultural identity of each country in which he has travelled.
 
Giufa's stories, are simple as fairy tales and equally instructive. They can be a useful tool for working on our human concerns such as identity, difference, self-knowledge, and freedom. We use this art of storytelling as a way to communicate with each other.”    Laura Fatini writer and theatre director Sarteano.
 
Laura has written the text to this new music theatre piece and Sara Ross, now working at the Teatro Sāo Carlos, the Lisbon Opera House, is writing the music.
 
During 2018 there will be meetings and work in progress in Setubal, Sarteano and Glyndebourne.  More information will be available later in the year both on this and the TCFT web site.

​We haven’t spent as much time as we should have done on this web site and apologise for the lack of updated information but………
 
Opera Circus is about to transform itself.
 
The good reason is that we have been so successful in our work over the last 5 years that we now have more work than we can handle for the next 5.
 
We have produced chamber opera, music theatre, children’s, youth and community projects for over 26 years in the UK, across Europe and from Peru to Thailand, Georgia to the Basque country. 

We have designed and led residencies for children in state orphanages 1 and 2, in Vilnius, Nigel Osborne’s Balkan Summer Music Camps in Croatia and Bosnia and Herzegovina and in India for children with trauma and disabilities.
 
There has been a slow and positive development of work with young people through arts and cultural activity which began in Srebrenica, Bosnia in 2008. 

​This resulted in the birth of TCFT (The Complete Freedom of Truth an international youth arts and cultural long term process and network.) More information on this web site and please see the beautiful films directed by Robert Golden, particularly for 2017 http://thecompletefreedomoftruth.com
 
We have many partners in many European countries, a network of hundreds of young people and have led 14 day residencies in Srebrenica, BiH, Sarteano, Italy and Bournemouth University, UK.
 
We have organised artist, youth and schools exchanges, built new networks, created new artworks and been introduced to new artists, life changes and friendships. 
 
As a result of all this Opera Circus has to evolve and transform in the way we run, in how we approach our work and in some cases, even where we work and whom we work with.
 
We are sharing what we do more widely.  Our very mixed ensemble is distributing the work of the funding applications, even an Erasmus +.  Smaller versions of TCFT are being led by youth leaders who have grown into the process we have developed together over the last few years.  New European partnership projects have evolved and new performances are developing. 

​As a result over the next two years we are aiming to design a different, more transparent and fluid way of working. 
 
A cloud based production office, creating greater transparency and for a team or ensemble to work together digitally from literally anywhere.  Our database will finally be updated and include all our existing networks with space to encourage a greater spread of connections and in particular a wider reach for fund raising and income streams from a more comprehensive section of our global change making society.
 

​We are partnering more and for 2021 having a vision being part of two creative arts and cultural centres, one in Brighton UK and the other in the Valdichiana/Val d’Orcia region of Italy.
 
We are interested in different approaches to running projects and offering work opportunities to some of the talented young people who have worked with us for a number of years .  We need to value more the wisdom and skills available to us, embracing the intense artistic grace and gifts found deep in the experience and talents of many of the invaluable artists we work with.
 
A number of projects are under discussion including a second TCFT residency in Sarteano, the first took place this April 2017.  See the film.
http://thecompletefreedomoftruth.com/watch/
 
A new music theatre project, whose work in progress title is The Giufa Project, is under discussion with major UK partners for the summer of 2018. This new work is written by the Italian theatre director and writer, Laura Fatini with music by Portuguese composer, Sara Ross. The production will be accompanied by a participation project involving informal education in schools, with young artists and with migrants both in Italy and England. Other partners who are part of this discussion at the moment are Crisis Classroom, Brighton, the Fondazione Monte dei Paschi di Siena, Fondazione Cantiere Internazionale d’Arte in Montepulciano, Glyndebourne and three small Comuni in the region, Montechiello, Montelaterone and, of course, Sarteano along with Suzie’s Farm, an ecological and vibrant learning, growing and social eating space.

​We continue to develop North/South England exchanges between Blackburn’s youth organisation SLYNCS and Bridport’s young people. There will be a visit to Blackburn during the October 2017 half term and a mini TCFT during February 2018 half term in Bridport, involving Blackburn.  We hope, the Young People Insight project in Croydon will join us, founded and led by one of the senior TCFT youth leaders, Shaniqua Benjamin.
 
Following on from a meeting with artist Vania Cauzillo at the Opera Europa conference in Bucharest, Opera Circus is now partnering on two projects in Matera, Basilicata, Italy.

Both are linked to the European City of Culture for 2019.
 
One project led by Matera Hub includes partners in Greece, Belgium, Italy, UK and Spain and is exploring the use of informal education opportunities through opera with migrants in Italy and across Europe.
 
The other project is led by Teatro L’Albero in Bari and Matera, creating a new community opera called The Silent City.
More on this soon.
 
We are looking forward in the distant future to working with the beautiful city of Timisoara in 2021 as part of their European City of Culture programme, which has now been confirmed.
 

​We have had an interesting journey with our Erasmus partners, Bournemouth University. Having run a two week residency there in the summer of 2016, BU has been funding a research assistant, Dinu Munteanu, to look at the Impact of our work with young people and the arts through TCFT, in particular.  This is an on going process which is beginning to spread across faculties and we hope will deliver, at least, an academic paper as well as a part funded Phd scholarship.
 
TCFT was part of the Global Engagement Festival of Learning at Bournemouth University in July 2017.
 
BU is also taking part in creative R and D with Nigel Osborne’s new opera, Naciketa, libretto by Ariel Dorfman. Two BU artists are researching ideas for animation and projection and an electronic soundscape. Nigel has become a BU visiting professor and in September will meet with Opera Circus and other prospective major partners in the region.
 
There are SALTO and European Youth Foundation conferences being applied to, exploratory work around the Commons and P2P, exploring different thinking and language through the work we do, new board members and new funders. 

Amy Wisenfeld and Rory Newbery, students at Manchester and Leeds University respectively, submitted the application to have TCFT awarded the EU Charlemagne Youth Prize and came first out of all the applications from the UK. 
Francesco Pipparelli from Sarteano, represented TCFT at Achen to collect the award.
 
Young people who have grown into leadership positions and become role models are running smaller models of TCFT exploring Arts and Friendship, Mental Health and Food Security with Local Food and Farming. 
 

We are developing a number of small scale and Forum theatre projects. One of these that grew out of parental concerns in Bridport, will look at texting/sexting and the bullying that comes from this.  An Awards for All grant has been successfully applied for to support this work.  We are meeting with Sir John Colfox School’s teachers and students to talk with them about how this might be a way to open this difficult discussion with parents, the school and the community.
 
ACE has just awarded us a small grant for some R and D around the art that has evolved from TCFT and to find a way through performance to explore with participants and a wider audience the emotional and secure cultural space that this long term programme of work engenders. 

"TCFT is a process for understanding each other, differences and everything that has connected and divided us.
For me when I see it in the future, it is a good system, system where we all could live by,  it’s like we have a great structure for this system. It’s like the village in Spain (Mondragon - https://www.theguardian.com/world/2013/mar/07/mondragon-spains-giant-cooperative). I always see this is possible in TCFT." Sandra Duric, Philosophy student, BiH.
 
I would personally like to thank everyone who has contributed to all that has been achieved. Without an ensemble/partnership/collaborative team very little of this would have succeeded in the way it has.  People’s patience, kindness, talent, wisdom, energy and commitment has ensured we have created work that goes beyond expectations and evolved into more than a network, more of a creative and equal community of people working towards something kinder, something deeper and something that acknowledges the vital importance and value of every single one of us through our creativity, our art and our multifarious cultures. The Learning has been profound and life changing. 
​Now for more art.
 
Thank you.
 
Tina Ellen Lee